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        Part LII - 
vyAvahArika vs. prAtibhAsika Pt. 1
         
           We would like to make a distinction between these
             two before we discuss other forms of pramANa, since
           VP talks about the perception of objects in dream.  
       We can differentiate between Ishvara’s sRRiShTi
         (creation by the Lord) and the jIva’s sRRiShTi
         (creation by an individual). Creation by the Lord constitutes
         the macro cosmic world or ‘total mind’ and
         creation by an individual constitutes the ‘individual
         mind’ or micro cosmic world, respectively. The
         two can also be differentiated from an individual’s
         perspective as ‘it is there; therefore, I see
         it’ and ‘I see it; therefore, it is there’.
         In both cases there is a common theme: ‘I see
         it’, i.e. ‘it’ is established or its
         existence is established by my perception.  
       This corresponds to the two ‘explanations’ for
         creation: sRRiShTi dRRiShTi and dRRiShTi sRRiShTi. vidyAraNya
         says in the Panchadasi that what is ‘out there’ is
         Ishvara’s sRRiShTi and what I experience (of what
         is there as well as what I project) is jIva’s
         sRRiShTi. Experience is at the subject level and what
         is ‘out there’ is the objective world of
         plurality, which is nothing but Ishvara’s sRRiShTi.
         We need to understand the interrelation between the
         two that plays a role in the perceptual process. Confusion
         often arises, which results in incorrect philosophical
         positions, if we do not separate the two entities involved
         in the perceptions.  
    
  Let us examine the macroscopic universe. Ishvara is defined
  by all religions as ‘jagat kartA IshvaraH’, the
  creator of this entire universe or ‘The Cause’ for
  the whole universe, himself being a causeless cause or unborn
  (ajo nityaH shAsvatoyam purAno ..). Most religions stop with
  that description of the creator as pertaining to the intelligent
  cause for the universe. vedAnta goes one step further to define
  Ishvara as not only the intelligent cause or nimitta kAraNa,
  but also the material cause or upAdAna kAraNa as well. We thus
  have an improved definition for Ishvara as ‘jagat kAraNam
  IshvaraH’, where kAraNam or cause involves undifferentiable
  intelligent and material cause (abhinna nimitta upAdAna kAraNa).
  By defining the material cause of the universe as also Ishvara,
  and since a material cause has to pervade the effects (just
  as gold pervades the ornaments), vedAnta puts Ishvara not up
  in the sky but right here as the whole universe of objects.  
       Thus, Ishvara pervades the universe as the very substantive
         for it. Ontologically, the cause and effects have different
         degrees of reality. Ishvara is sentient and world is
         insentient. With this, vedAnta provides a third definition
         for Ishvara, for the contemplative students: ‘sarva
         adhiShTAnam IshvaraH’, i.e. Ishvara forms the
         substantive for all the sentient and insentient entities
         in the universe.  
       The implication of this in the perceptual process is
         very profound and is captured by advaita vedAnta. This
         forms the basis for objective knowledge as attributive
         knowledge, since the substantive for all objects is
         Ishvara, who is imperceptible. Because Ishvara (Brahman)
         is the substantive and since the senses cannot gather
         substantives, all objective knowledge can only be attributive
         knowledge. Because we only have non-substantive or attributive
         knowledge of objects, errors in perception can also
         occur at an individual level due to the incomplete attributive
         knowledge gathered by the senses due to adventitious
         defects, such as poor illumination, etc. Because of
         the lack of substantive knowledge by the senses, the
         fundamental error that ‘what I see (the world
         of objects) is real’ also occurs. Even at a relative
         level, errors in perception occur for the same reason.
         I take for granted that the silver that I see is real,
         based upon the attributive silveriness gathered and
         due to lack of the substantive knowledge of nacre. Thus,
         the errors at both the relative and absolute levels
         are due to lack of substantive knowledge of the object.  
    
  In addition, Ishvara being the substantive for all objects,
  objects do not have any substance of their own. They also lack
  inherent qualities that would defines them uniquely and precisely
  as their svarUpa lakshaNam (necessary and sufficient qualifications
  that define an object uniquely to differentiate it from the
  rest of the objects in the universe). They are only names for
  forms or attributive content. For the objects constituting
  the universe, the attributes that differentiate one object
  from another also come as part of their creation, starting
  from the primordial cause – mAyA. The blueprints for
  the creation of the universe of objects are provided by the
  karmas of jIva-s in the previous cycle; and, for the previous
  cycle, the cycle before that. Thus the creation becomes beginningless.
  mAyA is defined as the force which causes one to appear as
  many, with each apparent object differentiable from others
  by its attributive content.  
       Any force is always defined or recognized only by its
         effect, as illustrated by Newton’s Laws of Motion.
         For example, Newton defines a force as that which causes
         an object to move from its state of rest or that which
         changes the magnitude or direction of a moving object.
         Conversely, the force is recognized or defined by the
         changes in the movement of an object. Similarly, mAyA
         is defined that which causes one to appear as many, the
         metaphor being gold appearing as many ornaments. The locus
         for this force is Ishvara, himself. Thus, vedAnta provides
         the definition for mAyA as prakRRiti projecting the world
         of plurality of movables and immovables, starting from
         one, under the direction of Ishvara. Thus, Ishvara’s
         sRRiShTi at the absolute level is nothing but Ishvara
         himself appearing as many objects, with varieties of
         attributive content.  
       Proceed to the next
        essay. 
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